Third Time's A Charm

I'm still working away on the crochet cardigan, but I've really been itching to start the Autumn Waves sweater using that cotton/acrylic yarn from the Danish company Hobbii - see this February post. While I've almost always had more than one quilt project going at a time, at different stages of completion, I've never tried that with my knitting and crocheting until now. I follow a vlogger, Amo at https://www.youtube.com/@PawfectPastimes, who is a well-rounded crafter who not only knits and crochets, but sews and does a variety of needlework too, while occasionally sketching with watercolors, tending a large garden, regularly golfing and volunteering for a dog rescue group. Sounds like me (minus the golfing, large garden and dog rescue volunteering!), She shows her progress mostly weekly and I am astounded at her knitting/crocheting output, even more astounded that she rarely has less than four projects on her needles, and maybe a crochet one in addition to that. They range from socks and cowls to shawls and sweaters with the occasional blanket thrown in. I commented to her about my inability (or perhaps unwillingness) to start another knit project until the current one was finished, but she assured me that I could. She pointed out that hers in progress are of varying degrees of concentration needed, and she could pick and choose deciding on how much time she had, how tired she might be and how well her brain was working. Ahhh, that made a lot of sense. Also, I've gathered over time that she has various places where she knits/crochets, unlike me who seems to always do it in front of the tv in the livingroom. This was when I made the connection that I often watch videos and interviews on-line at my upstairs computer, things that did not require my eyes on screen at all times and could allow me to "multi-task" doing other things at the same time; i.e. I was wasting time that could be spent knitting.

So when one of those videos was playing, I pulled out the pattern and yarn and cast on stitches. This pattern is worked in the round from the neck down, and to be honest, I was just a little cocky and distracted by the video working the first row. I misread the instructions and had to start over. Thinking I had it right this time, I knitted quite a ways until I realized I'd gotten the ribbing pattern wrong again. Unraveling goes so much quicker than removing piecing stitches. 😁 Now the pattern had my full attention, video off, until I was sure I had the setup right. And thus, third time was a charm. At its current stage, it is easy enough to pick up and knit a row or two at a time while I watch a short video.

Encouraged by this development, I turned to yet another sweater pattern I've been anxious to start. This is another kit from Lion Brand called Three Season Pullover and reminded me of a long gone favorite red cotton sweater I wore for years during those times of the year when it wasn't winter weather. The kit provided a cotton yarn called 24/7  that is inexpensive compared to so many other yarns and the fibers appear to be braided or chained rather than twisted together. It's not a soft yarn - that braiding seems to make it feel a bit rough - but it has the stability when knitted up that I think I will really like for this sweater. Except for that wide rib hem, it's a basic knit one row purl one row pattern, with some shaping at the armholes and neckline, the back, front and sleeves all knitted separately. So a no brain strain project where I don't even often have to look down at my hands. This one sits by the couch for times when the tv program I'm watching demands I pay more visual attention to it, something I can't readily do without totally stopping when I'm crocheting on the cardigan and doing a lot of counting. I'm really pleased with the progress I'm making on both of those sweaters.

But wait! This return to knitting has become as bad as when I was more avidly involved in quilting in terms of temptations, rabbit holes and information to absorb. As I watch two favorite knitting vloggers, check stitch instruction videos, and am bombarded by ads from yarn companies, I am learning so much about types of yarns and their weights, a new way to cast on stitches and do a ssk stitch (really, I had no idea it could be done in 4 different ways), I'm even learning how to use a chart - something I've always avoided in lieu of written out instructions. I am falling victim to buying more beautiful yarn (rather than my stated goal of using up what I have), downloading free patterns and even purchasing a few. And most recently, falling for a knit-along conducted by Olive Knits that's been going on for ten years now but this is the last one. I remember looking at last year's pattern for the knit-along and not caring for it but this year's had me weak in the knees. So I signed up and bought the pattern.

Of course, I had to buy yarn for it too as I had nothing in my stash of the right weight, but shopped the sales. Still, good quality yarn is expensive and this lovely sage extra fine Merino wool/silk/yak yarn feels worth every penny as I worked up a gauge swatch. I'm not totally sure how this knit-along works except that we got the initial info on yarn amounts and the pattern repeat for the swatch, will receive the actual pattern instructions on July 1st along with additional info about zoom calls over four days. She says some may actually be able to finish their sweaters in 4 days but that she will be checking in with weekly zoom calls throughout the rest of the month for the rest of us slow pokes - lol. I see myself spending a leisurely July working on this sweater whose pattern repeat is very soothing. 

But wait again! I was back in my studio closet the other night, searching for something to send a friend venturing into adding silks to quilts, when my eye spotted something peeking out from between a little stack of . . . well I'm not sure what. Hah!!! It's that circle of batik I've been looking for - not in a bin, not in a box, but very nearby, where I wouldn't have thought to look. 

Follow the arrow to where the batik circle was hiding.

I think my muse decided to play a trick on me. I joke about how when I can't find something, I blame it on my muse hiding it. She resides in my studio, looking over my shoulder and sometimes giving good advice, other times sitting in the corner, idly flipping through a magazine and ignoring my pleas for help, sometimes deserting the studio altogether for long stretches of time. I've decided she didn't want me to work on that split-nine patch quilt back when I was deciding between it and the Venetian Tiles quilt. Nope, she decided, not time for the split 9-patch; she wanted to see that Venetian Tiles finished first. And now that it is, she pulled out a tiny edge of the batik for me to spot to let me know what she thinks my next quilt project should be. So be it, although I may finish those Mariner Compass blocks into pillows first. She can't have the last word on everything!

How I envision my muse.

 

A Little Gardening

How was your Memorial Day weekend? The day itself here in northern Idaho was unusually warm - 80 degrees! We generally are cold and rainy with those who go out camping relegated to their tents or campers playing cards. It was perfect though for me to get the plants I'd picked out put into their containers on my deck and the big pot out front. 

But first, the neighbor girl who frequently brings me a bit of her baking showed up with not just a yummy still warm chocolate chip cookie but also added a rose blossom to the plate. Oh my! It reminded me of the sort of thing my late husband might do. My mother would call this a wild rose, although it is growing next to the duplex next door.

So beautiful with that big yellow center of stamens that I had to pause and try to draw it in colored pencil while I feasted on the cookie.

But times a wasting! I knew that tall plant with the purple flowers was destined for the pot out by the front steps. It already has some beautiful volunteer violas that have been coming up for several years.

I'd been giving thought to where what I'd chosen would go. Always, three geraniums go in the big copper washtub. This year I picked a red, white and kind of tangerine colored one.

I'd been pleased with the marigolds I added last year so picked up another pony pack with two going in the same pot as I'd used last year (you can just see it to the right of the geraniums in the previous photo). The third one went in one of the long planters in between the two dianthus plants toward the back that have wintered over. I'd picked up a pony pack of lobelia and decided to put two in the front of this planter. They are already blooming lovely purple blooms. The other two went in a separate small pot.

I also picked up some dahlias. I remember having some one year and really liking them. We shall see how they do and what colors they are. I'm protecting them at the moment from the possibility of our rampant feral cat population deciding to dig around in the freshly turned soil to use it as a litter box. They had done that last fall when I'd dug up the begonias in it to bring them inside. I'd quickly taken these same lattice pieces to cover the ground to keep them out. Once they are more established, I'll remove the protection.

Finally, I pulled the weeds out of this big barrel tub that sits on the ground at the corner of the deck. Long ago, a woman that lived a few houses down gave me some shoots of snow on the mountain plant she'd thinned out. I'd seen this plant in a nearby park so knew how big it could grow - too big for my deck containers. However, I'd never really put anything in this tub that I'd grabbed when the next door tenant moved and did not take it with them. This seemed a good place for this plant. To be honest, I've not been very good at keeping it watered and weeded. Some years I think it has totally died out only for it to come back in spring. This year it looks mighty healthy so I'll strive to take better care of it and enjoy its blooms which I see are coming on . . . a first!

So there you have it. I'm all set for some deck time to enjoy my flowers, and also to view them through the patio door as I sit on the couch. A lot of bending over that I'm not used to so I am paying for this with some stiff muscles! 

WHERE IS IT????

I am frustrated. The socks were calling to me once I got both to the heel-turning part so I've been spending extra time on them since I remember having trouble with it on the first socks I knit with this pattern. It's going better but really demands my attention. It's in two parts knit a little differently from each other, the first part being pretty easy and straight forward. The second part not so much and I was ready for a break. It occurred to me that I should dig out that circle of batik I'll be using as a moon with the split nine-patch blocks so that the fabrics surrounding it are right. I thought I'd run across it not that long ago, and started with the top bin on a stack of three in the closet. It's actually made for storing Christmas wreaths but because of its large squarish size, I bought it to store the Baltimore Album blocks I'd made. Nope, not there, but instead I was faced with some of my earliest forays into sun printing, surface design and art quilting. Talk about leftovers! So many bits and pieces to not toss, so many ideas especially for working with leaves. And a substantial amount of that Roberta Horton plaid - I have no idea why I stored it here.

On to the next bin. It had a note on top telling me what projects were in it. Things I'd forgotten about, like a small top made from feedsack reproduction prints and drunkard's path blocks, and not one but three mariner compass blocks. I was planning on looking for the yellow and black one to finish up as a wallhanging for my step-great niece who is a bit of a world traveler and happened to snag an Irishman when she was in New Zealand. They recently got married and I hadn't done anything about a wedding gift yet, thought this would be perfect. But those other two - I recognize most of the fabric from the shop I taught at in Wisconsin so they must have been samples for a class. I knew I had one Mystery Quilt set of directions with fabric set aside in one of the bins and I found it here, along with two others - really??? Other projects too in there. I have no need to find anything new to work on - I have plenty in these bins.

Things I was dabbling in shortly after arriving in Idaho 2006

The third bin is a truly big and deep one, and I knew some of what was in there, but wasn't expecting this on the top along with pieces of hand-dyed fabric. I must have had a plan for setting the hand-dyes aside but I'm not sure what. I do know what I'd planned to do with the sharply angled triangles and why I set it aside. I think I'm more experienced now and could work with these with success now. To be honest, it's almost depressing to see here and in the other bins these early attempts and ideas that I've abandoned, a little because of out of sight, out of mind.

But still no batik circle of fabric. However, the next layer included something else I was planning on finding to work on. In fact, as I was considering what to choose for my return to more quilting, it was between this Stack n Whack top ready to quilt and the split nine-patch art quilt. It's made from leftovers of the St. Hilary's Star quilt for which I had far more fabric than I needed. I put it aside because I was dithering about adding a border of an African fabric that I'd picked up thinking it would go, but once home with it, I wasn't sure. It's been on my mind to finish it up for a very long time so I can drape it over the trunk in my livingroom. I think that border idea is long gone. May use that African fabric as a backing though. A ton of fabric and ideas lie between this top and the final layers of fabric.

Luckily, some of this is labeled as to what it is intended for. I'm remembering now about the full size quilt I wanted to make using my signature Idaho Beauty block and, what else, teal fabric for the stars, white for the background. I actually do not think I'm interested in making that anymore. I did know I had the beginnings of a "Simply Seminole" quilt in this bin, one where you make the strips, then sew them together quilt-as-you-go style, something else I taught and this was my second sample. I need many more Seminole-pieced strips to finish this up and again, not entirely sure I'm interested in doing that. I also knew that the background and backing fabric for another quilt I've been wanting to make for at least the last three Christmases, one with pinwheels of plaids and Christmas prints, should be in this bin, and there it was at the very bottom. And whew! I'd been looking for the pattern in my binder files to no avail which worried me, but no, I'd put it with this fabric. I still really want to make this one. 

So I am at a loss as to where that circle of batik is hiding. There is one more place I could check, which means unloading my cache of framed art quilts and framing materials which reside on top of a foot locker also filled with larger lengths of fabrics, some of which are batiks. It's such a job getting into that trunk, and now with the finds I have made, perhaps I should just get started on something else. Certainly wasn't a waste of time going through the bins where I found plenty of great project to choose from. Maybe I'll finish turning those heels first . . . 

True Confessions

As the weekend approached, I realized I was experiencing some "Olympic Fatigue". i.e. as much as I was enjoying watching the various competitions, my enthusiasm was beginning to wane (confession one). How many more short track speed skating heats do I have to watch until the final A & B races? Aren't the bobsledders done yet? I couldn't even bring myself to watch the figure skating gala yet, recording it for when I'm not tired of watching these same athletes strut their stuff. I was beginning to look forward to the start of motorcycle roadracing season at the end of the month. I hadn't caught on to the fact that the weekend would see the wrapping up of the Olympics AND the start of Superbike racing until Thursday when an e-mail alert arrived in my mailbox. Maybe it's a good thing the two overlapped, giving me the fresh excitement of a different kind of sports watching to get me through the last of the old.

At the same time, I'd been tracking an order from Denmark (!) that came quickly enough to New York, but sat for days before showing up in San Fransisco where it also sat for a bit (weather?). An order that originally was projected to arrive by February 13 blew past that date, not being delivered into my mail locker until last Thursday. I was amused at how on pins and needles I was about getting it, excited when the key to the package locker showed up in my box (along with delivery confirmation e-mail), then highly frustrated when I couldn't get the key to work. A note to the postperson produced the package at my door the next day . . . at last! And what was in that package?

3 yarn "cakes" plus a sweet treat

Yarn! I'm not supposed to be buying more yarn until I use up what I have on hand, or at least put a big dent in the stash. But as is often the case, I was lured into the purchase partly because of a sale (confession two). It all started with my downloading of free patterns that I hoped to pair up with that yarn on hand.

I'm discovering, though, that many of the new patterns aren't designed for use with the worsted weight yarn that was popular back when I was learning to knit. But they are beautiful so I download them anyway, and in the case of this pattern called Autumn Waves, I thought it possible to substitute my worsted wool for the cotton/acrylic blend called for. And of course, since I'd downloaded this pattern from the yarn company's site (Hobbii). I started getting e-mails from them. I'd look at what they were offering (always enticing) but blanch at the prices, and eventually question ordering from them at all when I discovered they were based in Denmark. Then came the sale e-mail with the yarn for this sweater 40% off. Ok fine, I'll give them a try. And I was able to use Thank You Points from my credit card to bring the price down even more. Sold!

And at least for now, I am not disappointed. This cotton yarn is so soft, unlike the 100 percent cotton yarn I knitted into sweaters years ago. Must be that addition of acrylic which should also give it more stability than that cotton I used that produced a sweater that was not only heavy but stretched under that weight. I still marvel at my excitement waiting for this yarn to arrive. It's not like it's something I will start right away. In fact, there are at least three smaller projects ahead of it on the knitting priority list once the current socks are done. Which, by the way, are progressing in spite of all the sports watching. Sock one is at the heel turning point, and I've switched to sock two to bring it up to the same point.

My conclusion: I'm insufferable when it comes to these things! But I can't deny how they excite me. 😊

Finishing Up The Collage Class

I've just finished the bonus class included in the free Collage Breakthrough series taught by Catherine Rains. Essentially, it was a repeat of lesson 4 but using magazine pages rather than scrapbook papers and your own papers made with a variety of methods using paint. For me it was a lesson in not being drawn to images on the page, which is the way I usually decide to add a paper to the bin, but to the blocks of colors in it. A well chosen ad, perhaps even large enough to spread across facing pages, would already have colors that work well together, and include a variety of values and textures. Printed on heavier paper would be a bonus as magazine pages can be quite thin which would complicate the gluing process. I pulled several pages from articles in our local Sandpoint magazine (couldn't find ads that met the bill) and decided on this one, because it seems to have the most variety of values with both quiet and patterned places. 

Again, we were to randomly cut a variety of rectangular pieces or other shapes from the page to be sorted into values and then quiet or patterned. I realized I could quickly do this using this Fiskar cutter. True confession, there weren't enough pieces for me to feel it necessary to do the sorting, just spread them out on the table somewhat grouped. This particular page was a challenge in terms of delineating values as there really wasn't really light areas and some of the dark areas were very close to some pieces I deemed medium. But as I worked through placements, I could tell I was getting better at it, but had to constantly remind myself about the suggestion (rule) to group not only different values next to each other but place two patterned and a quiet together or two quiet with a pattern.

I liked leaving the spacing between pieces on this one with the different spacers, both narrow and blocky, across pieces. I also liked that some of the randomly cut pieces showed discernible parts of the mammoths. It didn't make any sense to me to just think of the pieces as swatches of color. This collage tells a bit of a story I think. One downside of working with magazine pages though is the glare from the overhead light, which is why this picture of the final product is taken on the slant. I had to keep looking from the side as I worked to see what the piece I was placing looked like.

So that's that, or so I thought. My intention was to whisk the leftover pieces of magazine into the trash and clear the table of all this collage stuff. I turned the page so I could glue in the bonus class directions and the picture of Kat's demo piece only to have that facing blank page and the few mammoth pieces calling out to be used to make one more. I think I want to dispense with the boundary of a square and do my collaging to fill the entire page. I laid a few pieces out and yes, it's just like quilting and you can never quit working with the scraps!

I do think these exercises in paper have really helped improve my eye for thinking value first, which is something I've always struggled with in my quilting. Too enticed by the pretty fabric. The work with the magazine pages in particular pointed out to me how quickly I fell into old habits of not even thinking about it. I think I also learned a lot about working with and arranging odd shapes. That lesson with the floating triads was my favorite and I'm planning on doing it some more using fabric scraps in this sketchbook. I do think I can use that knowledge now when designing art quilts. It's another place where I've struggled; I'm thinking of a particular piece I've never been able to resolve that I may be able to now. So, very happy to say this was not a waste of my time. 

Almost Done With Collage Class

I meant to finish this collage from the last lesson in this series over the weekend but I wasn't feeling it. As I sorted through the paper scraps I was to use, I felt myself losing interest, tired of working with these papers and not particularly liking that we were to leave narrow spacing between pieces and then "join" them with thin strips. Even not happy working in the bigger 5 inch space. I was relatively happy with the first layer arrangement so started gluing pieces down that I was sure of, then walked away.

By Tuesday I was ready to finish this up whether I liked it or not, but something had changed since the last time I'd worked on it. Better attitude with less negativity about the spacings. I finalized the last few pieces, then idly placed a narrow strip over one section that went edge to edge. Hmmm - I think I like that. I even found a place to use two slivers trimmed off another piece, saved only because Kat had said to save even the smallest pieces. Of course, I scoffed at that at the time as I watched the demo and her tiny pieces, but now these slivers were perfect to fill a gap. I chose more long strips and a few short ones to complete joinings of the base layer and I was done - happy to have found places for some of the envelop security papers and another dark green.

Since finishing, I remembered something Kat said during a Q & A. Unlike what so many tell us to do when we don't feel in the right frame of mind and everything seems an effort - just keep going anyway - she admitted to times when nothing seemed to work and she just had to walk away knowing that whatever she ended up with when in that frame of mind would not be good work, no matter how hard she worked at it. My experience appears to confirm that. Good vibes equal good work equals happy artist! 

I've started on the bonus class so will have one last collage to share with you soon. 

Slow But Steady Progress

I've worked on the next session of the Collage Breakthrough course (Lesson 3) over more than one day. We're still using 3 pieces of paper representing all three values and either two patterned and one quiet or two quiet and one patterned paper. This time though, we were encouraged to overlap the various shapes and not fill the 4" square totally, leaving blank areas to add "finishing touches". Still having a little trouble working in my green scraps on all so settled on the ones on the right side working together differently from the ones on the left.

So what are "finishing touches"? These are circles or Asemic writing done with gold, black, or white paint onto tissue paper so that their placement can be auditioned before gluing down. She shows how the excess tissue paper can be scraped away if you don't like the look of the shadowing effect. Well, I watched the video of the technique but had no desire to do pages of the three different colors and decided I'd deal with it later. In the meantime, I viewed how others in the class were doing this and could see how effective adding a gold accent that filled part of the blank areas and spilled over onto the collage was. Still didn't want to mess with making these. Then a lightbulb went on; I remembered a translucent plastic shopping bag with gold swirls and stars that I'd used on an art journal spread. Oh yeah! A quick answer to my problem. I quickly cut out a swirl to audition how it would work and it would work great.

I held off on finishing up this step as time was running out for watching the last of the videos before they disappear after tomorrow. Each lesson is a 30 minute recorded class followed the next day with a live one hour Q & A and demo session which is also recorded to watch later. You can guess which I do. So this week has been devoted to the two lesson 4 videos and the two bonus lesson videos plus one last video that was a cross between two lengthy "gallery" shows of student work and promoting her next step collage course which comes with a hefty price. (I'm good for now.) I had time after that last video to finish cutting and applying the finishing touches to my lesson 3 page and I'm pretty pleased with the result. I was pretty sure glue stick, which we've been using throughout this series, was not going to work on the plastic bag; a quick check proved me right. I'm pretty sure I used gel medium on that journal spread but didn't want to deal with the mess and cleanup that would generate. So I pulled out my trusty YES paste which worked nicely.

I've made a start on the blue knee high socks, finally mastering the tricky Eastern cast-on which makes a seamless join between the sole and the top of the sock. Normally when you knit in the round, it's like working back and forth on straight needles, except you go round and round without turning your work and have a hole in the middle. This cast-on eliminates the hole which would have to be closed up later. Since I discovered I had two sets of the required size of needles, I decided to work on both socks at the same time to more easily end up with soles and tops the same length.

Increasing stitches from 8 to 56 for the toe - ready to start ribbing

I'm working on being a little more balanced with how I spend my days. I'm so guilty of being all or nothing when it comes to things I want to do, which means I'll lose track of time when I get engrossed in something which then leaves no time in the day for anything else. And if I don't perceive that I have a big chunk of time to do something, I end up not doing anything at all. It would be easy to get to the end of the day, look over at my knitting and sigh, thinking there's no time left or I'm too tired. But I'm working on snatching small moments in between the big ones. The knitting on the socks is getting worked in this way: a few rows after breakfast before heading upstairs, a few more after lunch while watching one of my news shows. More in the evening if the shows I'm watching don't require my rapt attention while dealing with these increases. While some days I may be spending an hour or more on the collage class early in the afternoon, I also have found myself unexpectedly drawn into the studio for a few minutes to pull a few paper rectangles for one square on the page before continuing on to where I was originally off to. I'm also finding myself grabbing a small project like updating the blank book I'm using to record my yarns and care instructions in order to add one or two things while watching the tv.  I can get a lot done over the course of the day if I just become aware of these odd small moments and what I might fill them with. Very gratifying.

A part of me wants to knit all day sometimes - that all or nothing tendency I have. But I have other things to tend to as well, that need to balance my time throughout the day. As I think about my resolution word of realign, that need to find balance may be key. All or nothing just won't do.

A Broken Promise

Collection of papers including some from sample packs of Khadi papers

Not long ago, I made a promise to myself that I would quit being lured into spending a lot of time on free classes All those hours watching Sketchbook Revival videos over several years were the prime culprit - mostly enjoyable but not always useful to me personally, yet I felt obligated to watch them all. And then there have been the Laly Mille freebees, just couldn't stay away because collage and art journalling are things I'd like to master better. Most recently I think was the "year of light" taster on FB - not unlike the Sketchbook Revival series but an absolute slew of artists, but this time I was more prudent about which videos I watched and did not actually do any of the lessons, just took notes and printed off info. That's it, I thought, no more falling into the trap of signing up for classes just because they were free. However, in a weak moment in December, I followed a recommendation that came via e-mail to sign up for Catherine Rains Collage Breakthrough FREE multi-session class running for a couple of weeks in January. The thought was I could always opt out if I got into January and felt too short on time or stressed to do it, but it did sound like a good opportunity to learn more about collage which I still struggles with. 

I print out instructions to add to sketchbook

This is not exactly quilt-related as my previous post might have implied I'd be realigning to, but perhaps quilt-adjacent. After watching the welcome video, I could see Kat was presenting a different more structured approach, incorporating design principles a step at a time and in small formats with the emphasis of ending up with individual collages that were also cohesive with each other. Pick two colors from a cool palette or two colors from a warm palette to work with on all collages throughout the series. Separate your piles of papers into patterned and quiet papers, then each one of those stacks into light medium dark values. Just that exercise alone was instructional. Then start small with 2 inch penciled in squares to fill with just two pieces of chosen paper - one "quiet", one patterned - of different values, using a glue stick.

auditioning placements, temporarily taped in place

I'm working in a Mixed Media Sketchbook a made back in July of 2023. That's one of the problems with being in the book club - so many of those projects produce blank books that sit on the shelf waiting for a purpose. So it is pretty delightful to finally put it to use. It's designed with spacers between the signatures to allow it to expand as layers of collage are added to the pages. As the squares increase in size to 3 inches, I had to work over the center of the signature but it wasn't too bad. And now we are picking three papers that go together, one dark, one medium, one light, either two quiets and one patterned or two patterned and one quiet. All the while, you consider how each trio works with what's in the squares beside and above/below, and trying not to put the same orientation of the pieces as are in adjacent squares. Kat suggested maybe wait to glue down pieces in a square until all squares are composed in order to give the option of changing your mind as you go. These little pieces do scatter quite easily so I found it very helpful to use removable scotch tape to hold them together and to the spot they may reside in.

Compare to in-progress pic to note changes I made

Although Kat kept correcting herself whenever she said "rules" rather than "suggestions" or "recommendations" (heaven forbid anyone feel constrained . . .), I'm a strong proponent of learning rules first, and I am grateful for these simple ones she put forth that provide some structure. I so often let all that fabric I get out to work with overwhelm me and I do not always make the best choices when putting together a quilt be it traditional or art. I think I can use what I've learned here to make better fabric choices. I also like filling the squares in a sketchbook. With fresh eyes the next day, I could study what I'd done and what perhaps didn't work so well, While choosing pairings, I noticed how easy it would be to go monochromatic even though I had two colors (blue and green) in my piles - had to keep reminding myself to grab some green now and then which I could see made the grid groupings more interesting. When I moved on to choosing three papers, I sometimes caught myself choosing all patterns or a value too similar to another as I gravitated towards ones I really liked. Making a switch did make for a better coupling, one where I could instantly say, Yes, I really love that - which Kat encouraged, that intuitive instinctive knowledge over too much brain thinking.

Two more sessions to go as we move up to four inch squares and make a final single collage at five inches as we continue to work with the papers originally chosen and learning how to use even the smallest scraps that we've been encouraged to save. This has been fun and educational and can be done with fabric scraps as well which I would like to try. But just like when I'm surrounded by fabrics and cutoff pieces when constructing a quilt, my table is a mess of piles of paper that I will be glad to clear away soon, making room for a "real" project.

Wrapping up #INKtober

Here's the final page of sketches for #INKtober 2025. As the days left dwindled, I started dithering over which pieces of jewelry still left would be added. Because of family tradition, I had to include at least one piece of Black Hills Gold jewelry; both mom and dad lived at least part of their lives in that area of South Dakota. I'd had the ring sketched at lower center on my desk for a long time, wondering if it should be added. I know nothing about when mom got it but assumed it was a recent piece and so different from anything else she owned. It's very heavy and I'm sure that big pearl is real along with the small diamond. Surely there's a maker's mark . . .

. . . and indeed, I found one: Strell. Down the rabbit hole of internet research I went and found this out about the company:

The “Strell” hallmark is short for Strellman’s.  This company was founded in 1948 by Richard Strellman – the name quickly became synonymous with dramatic jewelry.  Originating in Oregon, this American company has become world famous for their original lighthouse lens cut. The name Lighthouse Lens Cut comes from the fresnel lens which is primarily used in lighthouses.  The gems are faceted similar to a lighthouse lens that directs the beam of light out to sea.  These fascinating stones reflect light in the exact same way.  It is unlike any other cut. 

That tiny diamond surely does shimmer which makes me wonder if it is that Lighthouse Lens cut. But my ring does not have a big gem but rather a big pearl so I started looking at images of Strell rings. Now I started seeing ones with opals and accent diamonds, jogging my memory about an opal ring of mom's. Off I went in search of it, checked for a mark and discovered that it is indeed a Strell ring too. So of course, I had to include both of them as my last two entries.

I found both rings difficult to sketch in spite of their relative simplicity. Here's a side view showing just how big that pearl is and the distinctive leaf design encompassing the beautiful large opal on the other.

From some of the prices I saw on line for both new and vintage Strell rings, I'm guessing dad laid down some substantial bucks for the pearl one. Mom's hands were bigger than mine and could pull off larger rings like the the onyx and diamond ring (from a previous page) and this pearl one but it really overwhelms my hand. 

And although I have my own opal ring with some history tying it to the area I grew up in, a single small oval stone set in a simple narrow band perfect for my smaller fingers, I have worn mom's quite a bit, although the ring size forces me to wear it on that middle finger. It does not have the weight of the other Strell ring but I'm guessing it's still worth some money, not that I'd be selling it.

I thought I should show you the jewelry box I've been pulling my mother's jewelry out of. Isn't it incredible? It's a music box that as it plays, that tiny dancer twirls back and forth, up and down, one leg swinging freely..

My oldest brother who died when I was 5 or 6 years old picked it up in Tunisia when he was touring with the military. I'm not sure if I have the note he sent with it, but I do remember mom reading that he was giving it to his "two favorite girls", mom and me. So I always knew it was a shared gift and I've always kept a few piece of my jewelry in it. But here's a troubling thing: As I've gotten towards the end of my trek through old jewelry, I've remembered that I had an additional music box for jewelry, same size as this one but black with inlaid mother of pearl in an oriental design, and although I always kept the two of them stacked on each other in an armoire, I no long know where it is. It doesn't make sense that it would be in the remaining few unpacked boxes from the last move which are mostly china and crystal but I know of nowhere else to look.

So now I've rounded up all the various pens and pencils I used on these sketches, put the loose ones back where they belong, and can turn my sketching back to that Zentangle Be Well series. 

Company, Decorations, #INKtober Pins

Me and my motley crew

I survived the few days of family visit pretty well and had a better time than I'd anticipated. Maybe it was because I spent so much time gabbing with my brother's step-daughter while "the boys" immersed themselves in watching Dodgers baseball games. :-) We also spent an afternoon looking through the old family photos and albums that I am the keeper of. I took them all out to dinner on my brother's birthday, to my little town's famed steakhouse, The Hydra. It has been in business at the same location since 1975 and it did not disappoint. I was pleased that my brother thought their Filet Mignon was the best he'd ever had and that since it was his birthday, he got a huge slice of Mud Pie which we all got a taste of. In the above picture I'm sitting in between my step-niece and her husband, while we are bookended by my brother on the left and his son, on the right.

After they all left, I caught my next door neighbor girl and her mother out surveying the Halloween decorations they had put up. We sort of share that tree and I am always happy to see them putting up holiday decorations, something I just don't do. This year they put goblets in the hands of the skeletons. There's even a skeleton of a cat!

I skipped a few days of #INKtober sketching while company was here but quickly got caught up. This page is all about pins - a huge angel one and a variety of circle pins that were popular in the 1960's. Including a lot of storytelling and speculations.