Someone should create an app that blocks all e-mails and websites offering free things, at least things related to art and crafts. I was going to make more trinket bowls but the free Year of Light Taster sessions I'd signed up for a few weeks ago out of curiosity suddenly started, and there I was, committing myself to nine days of art videos that would then disappear. I checked out how things were set up and found it very much like the Sketchbook Revival I participated in twice: A host artist (who I was familiar with from her videos on Sketchbook Revival) and 4 different artists a day presenting their classes in videos lasting anywhere from 20 minutes to an hour and a half. At least with Sketchbook School we knew we'd have a week or so following the last presentations to catch up or rewatch videos, but this taster kept stressing that all would disappear after the last day of videos. Not to worry though, the host said, just purchase the year-long "Year of Light" and you would have lifetime access to these videos plus all the other videos that would be shown during the year. I didn't check out the price of that but you can believe it is hefty, and hefty enough that the host was offering a 25% discount and payment plan. Wow . . .
Well, I got to watching. Techniques taught were predominantly watercolor with a few using acrylic paint or pastels, and a few teaching drawing skills with pencil. There was a little collage and mixed media that I found interesting, and my fave Laly Mille showed a transfer technique unlike what I'd seen before (and am anxious to try). The quality of presentations varied widely, some very fussy and having you sit through slow application of paint and layer after layer to reach the desired result, something I had no patience for, some I skipped because I'd been exposed to them in Sketchbook Revival, some good but could have been edited down, and some very well done and informative. I fast forwarded through a lot of them, and the ones of interest I watched clear through, taking notes on the printouts provided. Unlike during Sketchbook Revivals where I watched and did almost every lesson over the two weeks, I had no time to actually do any of these lessons, but would like to try the ones I took notes on eventually, hoping I can remember and make sense of the notes since I won't be able to re-watch any videos.
My brain was reacting differently from other times I've watched videos like this, it seemed. When I'd run across videos either too lengthy or not well done, I'd question if this was a good use of my time. Even on ones that interested me, I caught myself thinking how much easier some of the effects could be done using fabric. In fact, one session painting a night sky with moon and bare branches stretching across and over the moon, I HAVE done in fabric, more than once. And one showing how to paint bubbles with acrylic paint reminded me of the bubble prayers quilt I made using sheers and metallic thread for the bubbles. Feeling confused, I started to question why I was even interested in wielding a paint brush, except that I have all the supplies and it's a newish, unmastered technique I have dabbled in.
And all the while, I felt the pressure of time, knowing these videos would be going away, and feeling a certain anger at something presented as a fun, get a "taste" of the real thing which was simply a marketing ploy. Whenever someone shared that they'd been sick or busy with work or other life intervening things and "behind" or even not having been able to watch a single video, the chirpie Host would say, don't worry, just buy the year long class and you'll have lifetime access to all, or to those saying how overwhelmed they felt, you don't have to do every lesson, just pick a few. Nope, you certainly don't have an understanding of the people who would sign up for this sort of thing. We would want to take full advantage of such an opportunity for free classes.
Granted, Sketchbook Revival is a bit of a marketing tool as well, but it is giving the opportunity to artists to showcase what they have to offer should one decide they'd like to pay for a class from them, but the main thrust is to get people using their sketchbooks again and giving them ideas of how to do that. This taster didn't feel that way to me at all; no, this was buy my pricey class, gains for you secondary.
By the last day which was yesterday, I have to say I was pretty burned out, watching or skipping through all those videos for nine days straight, and losing interest in the last set, asking myself the important question of how would I use what I might learn here and am I even interested in learning how to draw or paint the object shown? (No, I do not want to paint a fox. No, I do not want to sketch a bird.) I did watch two more but was glad I was done. Also getting overloaded with so many people posting their renditions of the lessons in the Facebook group even though some were quite good. In fact, I had to chuckle that a few came out better than the teacher's. In the end, the host relented to the cries of give us a few more days and did tack on 5 more days of access to the videos. Good on her. But I've seen all I need to see I think. Back to trinket bowls . . .