So Much For Quick

Only some of the stacks of fabrics I went through

I really liked the idea of using up the big pieces of fabric left over from making the rails baby quilt by making it into pillowcases, and thought it wouldn't take me long to make up three for the other kids in the family. I'd found several free pillowcase patterns on line and chose the one from AQS partly because it used a little less fabric in the main part of the case and the cuff seemed simpler. I made a few changes like not cutting two separate main and cuff pieces, thus eliminating one long seam, and found I could get two cases out of the ark animal fabric and one out of the raindrops. That part went quickly enough. But as you can see, picking coordinating/contrasting fabric for the cuffs sent me for an agonizing trip through my stash that lasted several days. You know the drill: pull potentials for auditioning, find a few that might work, nothing seems quite right, and finally, when looking in a spot you forgot to check, you find a perfect candidate, then another and decide you really like that one you spotted in the beginning. Ahhh, all three cases now have cuffs to match. (And I have to say, the process reacquainted me with a lot of beautiful fabric I must find a use for.)

Me and my mother 1968

Both sets of directions gave the option to just zigzag or machine overcast the seams but I knew with this fabric there would still be a mess of threads after washing. So I opted to make French seams, a technique I learned when I made this dress for a high school prom. That floaty chiffon overdress absolutely had to have its seams encased, not just to keep raveling under control but because they could be seen through the chiffon.

You know me, I like things nicely finished and I'm very pleased with these French seams and the way the cuff folded over and was stitched down a bit from the edge, looking very much like a commercial pillowcase.

But these did take longer to make than I thought they would. I did do a lot of pinning which I suppose many people would not, but again, it assured a good looking product in the end.

Now I've started on the trinket baskets I wanted to send along as well. It won't use up all of the raindrop fabric (I don't think) but here is what was left of the ark fabric and the various pink fabrics I used in the quilt that could be cut into usable length strips for the baskets.

It's been awhile since I've made these so I had to spend some time going over directions and finding my notes on machine settings and changes that make a full basket into a short lipped saucer shape like this one. And this first one is going very slowly as I get my wrapping and coiling rhythm back.

In the meantime, I've finished sleeve one of my lavender sweater and yes indeed, it did use up slightly more than one skein, meaning I definitely will need at least some of the extra I was able to get.

Call of the Wild

Round Lake State Park

A case for vacation: “A lot of writing consists of waiting around for the aquarium to settle so you can see the fish. Walking around muttering seems to hasten the process. Taking public transportation nowhere helps. Looking out the bus window lets the back of your mind move forward. Don’t listen to anything but natural sound. Don’t look at anything you have to turn on. This is about the pleasure of silence. This is not meditating; this is reacquainting yourself with yourself. Something interesting might enter your head if you let it alone.” Abigail Thomas

I don't think that only refers to writing, but to any creative outlet. I have the luxury of being able to do this often, tap into this "pleasure of silence". Today was one of those times.

Goldilocks got her "just right" weather today so off I went and this is where I spent some time. I was surprised that more water wasn't flowing through here and what was didn't make a sound, even though some flowed over and around rocks. I was wondering if something was wrong with my hearing it was so quiet, if not for the very loud woodpecker. Up on the upper trail I spotted a deer browsing in the trees. I stood stock still while it tried to decipher what I was. When I finally moved on, it took off but not far. Turns out there were two or three more in those trees, just calmly watching and chewing. It was a day not to grab for a camera but just take in the sights and smells and the feel of the breeze against my skin and its sound through the trees. Refreshed.

Highly Influenced

I am stubborn. I try to avoid cliches or puns when naming my quilts. I strive for something more than "For (quilt recipient's name)". But as I mentioned, an obvious name for this quilt for my goddaughter's baby was alluding me. But not really. Every time I spread it out on the table,"Pretty In Pink" popped into my brain. NO, my stubborn side said, that's a movie title, one I've not even watched, and probably sending a message I don't want to send. And yet . . . this quilt IS so pretty in pink. So I gave in, inking the info on the back of the quilt. I usually use a micron pen to do my inking, and more recently, their plastic nib versions. Had a blue one I've used before, but it seemed to have dried up. I've had a lot of issues with that recently with micron pens I've purchased either at the Michael's store near me or added to an internet purchase from some place like Cheap Joe's. It's making me wonder how long these pens have sat in stock, because I have pens I bought years ago but don't use often that still work fine. Was about to change to a black one when I had a thought. Could I use one of their brush pens instead, since I had one of those in blue? Yes! In fact, a brush pen may move even better over fabric when using a light touch.

I am so pleased with my choices for the quilting. After finishing all the arrows on the blocks, I wondered if I shouldn't add more lines. I decided to wait until I'd quilted the sashing to make up my mind. The arrows were a take on one of Angela Walters' "dot to dot" designs from her recent series, Dot to Dot FMQ Challenge Quilting Along, such an easy method of quilting with straight lines. But for the sashings, I was considering several of her more curvy designs like serpentine or ribbon candy. I've done neither of these before and wasn't in the mood for practicing or setting up my machine for free motion quilting. As I stared and considered, it occurred to me I could put into practice more dot to dot quilting in that sashing, using the seams of the strips in the blocks as my "dots" to shoot for. This worked so well and when I spread out the quilt again, I didn't feel I needed any more quilting in the blocks. Thanks, Angela, for influencing how I approached the quilting on this piece.

When making baby quilts, I've gotten in the habit of quilting the baby's name somewhere within the quilting designs. This time I reserved the border for adding her name, interspersed with hearts. My script may not be the prettiest but the variegated thread hides some of my inconsistencies.

So here it is, ready at last to send off to baby Briar. But first, I'm going to make some pillowcases from what I have left of the Noah's Ark fabrics. I have quite a bit and have no desire for it to go back into my stash. They can go to the other kids in the family.

What's In A Name?

I've been watching the Olympics, mainly gymnastics, which has reminded me of a piece I made back in 2008 when I was also watching the Olympics. The commentators kept talking about the gals on beam having to make balance checks to keep from falling off, and that stuck in my head as I worked to strike a good balance with the applique pieces that were leftovers from another piece. Then there was lots of musing about maintaining the design balance of the piece as I added more and more quilting in various colored threads on that black background. It seemed a given that I'd name this piece "Balance Check". You can read more about this on this blog post where I talk about not just achieving balance in my artwork, but in life in general.

Do you have trouble naming your quilts or do names just appear as you are working? As a general rule, I do settle on a name before each piece is finished, although a few stubbornly refuse to reveal what they would like to be named. I'm having that issue with the rails baby quilt and it's driving me crazy. I think it must be because I feel like Helen Wells feels:

I try and take my time naming a painting. As the paintings develop I keep a list of words and phrases which occur to me as I work, that have resonance… a running list of possible names or just fragments of thoughts. I think about what I am trying to convey, the feeling that is embodied in the painting...how the painting makes me feel.

Naming a painting is like a small milestone, a closing ceremony, a gift to the painting and the viewer, a mark of completion, a small badge of respect, a sense of identity for the new painting that has been created…

What's your experience with naming quilts? 

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