New Project & Some Visitors

Lattice Overlay - Ohio circa 1925 - 74" x 78"

In 1995, I made my first of several treks to Paducah, KY for the American Quilt Society annual show. Big event covering many venues, one of which showcased antique quilts from the Hamilton collection. That is where I was mesmerized by the above quilt and its faint grid pattern superimposed over the dark angled lines. Whether it was intentional or the result of fading, I noted that it made the quilt look out of focus as you looked at it. At the time, I wasn't familiar with the block that created this effect but later learned it was a variation of the split nine-patch.

At some point, I worked up the block color scheme in my Electric Quilt software, and printed out some reference examples (top of photo) as well as doing a small drawing of two blocks with slightly different color schemes on the graph paper (lower right). Later, friend Judi came up with the two quilt patterns she hoped she could sell along with our hand-dyed fabric, and it too used this block pattern. I even taught some classes of how to make those quilts, making up sample blocks showing how they would look with traditional quilt fabric as well as batiks (the 4 blocks on the left). Patterns, class handouts, sample blocks and my previous printouts; these all went into a file for when I might eventually get around to reproducing that antique quilt.

I went through quite a faze of. making and teaching Mariner Compass blocks using Judy Mathieson's method. She included instructions for how to "set in" the round block into a bigger piece of fabric, eliminating piecing four sections of background fabric together. It requires cutting away a hole in the center which leaves you with a a very large circle of fabric to use on something else. Well, I had one of those in a darkish purple batik and I got the idea that it would make a lovely moon with a tree placed over it. And what if I took those batik sample blocks and made more for the background? Yes, I've been thinking about this for some time! This will be my realignment into piecing again.

After looking at everything in the file, I decided I needed to scan my original photo of the antique quilt and print it bigger so I could study all those subtle lighter colors that produced the grid. Stare and think and look at notes before I finally figured out what was different from the split nine-patch quilts I'd been making from Judi's pattern. If you look at those batik blocks, you will see that the center square is dark fabric. But as I studied this larger view of the antique quilt, I suddenly saw it - these blocks had light center squares which is how you get that grid effect. Talk about tunnel vision even though all my notes from before I made Judi's version were right there. Now everything else in the file made sense. And sorry, batik sample blocks, you will not be going into this  quilt!

As for my visitors, last week I spotted a duck pair swimming and feeding in the swales along my walk. Late February seems too early for them to appear; then again, it's been a very mild winter. I'm wondering if this is the same pair I saw last year. The female was gobbling away, head under the water, with the male seemingly standing guard like before, but this time he did more dipping of his own head to feed. I found the post where I talked about them and it is from March 5, mentioning a warming trend, so maybe they aren't here too early.

Then there are the deer. They usually amble through the bushes in the greenbelt behind my place, occasionally popping out to look around and perhaps browse. I've seen the mother and two young ones from last fall recently, looking good and healthy. So when I saw a couple of deer again last week, I thought it was the same ones. But my, these look a little bigger, stockier, and there were only two. Oh well, good and healthy. 

Slowly making their way, browsing on the new shoots of grass.

One ambled over to this scrubby pine by the corner of the house for a nibble.  

What a beauty. 

And it just kept coming, right up to my deck, and sniffed around. Sorry, nothing there, not even grass. But by now I was getting a good look - have never seen them get this close to the house - and could see how "bulky" this one was, like there was a real layer of fat under that fur.

As it turned to leave, I noticed the tail. Wait - I've been seeing white tail deer - that wide tail brown on top, white underneath, but this tail is totally different. These are NOT my usual deer visitors. A quick google gave me the answer. My visitors are Mule deer, which besides the different tail, are slightly larger with darker fur than white tail deer which explains what I was noting in their body bulk.. Welcome to the neighborhood. 

True Confessions

As the weekend approached, I realized I was experiencing some "Olympic Fatigue". i.e. as much as I was enjoying watching the various competitions, my enthusiasm was beginning to wane (confession one). How many more short track speed skating heats do I have to watch until the final A & B races? Aren't the bobsledders done yet? I couldn't even bring myself to watch the figure skating gala yet, recording it for when I'm not tired of watching these same athletes strut their stuff. I was beginning to look forward to the start of motorcycle roadracing season at the end of the month. I hadn't caught on to the fact that the weekend would see the wrapping up of the Olympics AND the start of Superbike racing until Thursday when an e-mail alert arrived in my mailbox. Maybe it's a good thing the two overlapped, giving me the fresh excitement of a different kind of sports watching to get me through the last of the old.

At the same time, I'd been tracking an order from Denmark (!) that came quickly enough to New York, but sat for days before showing up in San Fransisco where it also sat for a bit (weather?). An order that originally was projected to arrive by February 13 blew past that date, not being delivered into my mail locker until last Thursday. I was amused at how on pins and needles I was about getting it, excited when the key to the package locker showed up in my box (along with delivery confirmation e-mail), then highly frustrated when I couldn't get the key to work. A note to the postperson produced the package at my door the next day . . . at last! And what was in that package?

3 yarn "cakes" plus a sweet treat

Yarn! I'm not supposed to be buying more yarn until I use up what I have on hand, or at least put a big dent in the stash. But as is often the case, I was lured into the purchase partly because of a sale (confession two). It all started with my downloading of free patterns that I hoped to pair up with that yarn on hand.

I'm discovering, though, that many of the new patterns aren't designed for use with the worsted weight yarn that was popular back when I was learning to knit. But they are beautiful so I download them anyway, and in the case of this pattern called Autumn Waves, I thought it possible to substitute my worsted wool for the cotton/acrylic blend called for. And of course, since I'd downloaded this pattern from the yarn company's site (Hobbii). I started getting e-mails from them. I'd look at what they were offering (always enticing) but blanch at the prices, and eventually question ordering from them at all when I discovered they were based in Denmark. Then came the sale e-mail with the yarn for this sweater 40% off. Ok fine, I'll give them a try. And I was able to use Thank You Points from my credit card to bring the price down even more. Sold!

And at least for now, I am not disappointed. This cotton yarn is so soft, unlike the 100 percent cotton yarn I knitted into sweaters years ago. Must be that addition of acrylic which should also give it more stability than that cotton I used that produced a sweater that was not only heavy but stretched under that weight. I still marvel at my excitement waiting for this yarn to arrive. It's not like it's something I will start right away. In fact, there are at least three smaller projects ahead of it on the knitting priority list once the current socks are done. Which, by the way, are progressing in spite of all the sports watching. Sock one is at the heel turning point, and I've switched to sock two to bring it up to the same point.

My conclusion: I'm insufferable when it comes to these things! But I can't deny how they excite me. 😊

Filing, Shredding, Organizing

Yes, I'm still wrapped up in watching the Olympics, but looking around, I see so many things I've set to one side, each that would take a few minutes, 15 minutes, certainly no more than 30 minutes to tend to, or could easily be broken up into small chunks of time. Take shredding. I'm determined to get my taxes done much sooner than I did last year so have started the collecting of papers for 2025 and shredding of unneeded documentation for the oldest tax file I keep. In the process, I came across more shreddable, or at least tossable, papers from as long ago as 2022 as I filed away the most current insurance policies information. Yes, I am quite bad at putting things in piles for later or keeping things longer than necessary. But I am making great progress, by working on these in short stints before landing in front of the computer.

The studio always needs tidying too, another task sometimes best done in short shifts. I spent several stints sorting and putting away everything from the Collage Breakthrough class, including storing the various square size templates in the back of the sketchbook I used. I do intend to work more collages in that book. Once that part of the table was clear, it revealed a corner of the table where fabric from that major dyeing project of last fall still sat (why I hadn't moved it the few feet from table to stash cubes is a mystery) and that I hadn't put all away from working on the Joy banner (which btw still needs threads buried). Pattern pieces, fabric left out to make a label and small fabric scraps to glue to a documentation file were scattered here and there. So out came the most recent documentation binder. Oh dear. In another pile of "must file one day", I found the pattern I developed and made notes on for the last baby quilt I made. Hmmm, when was that? Ahh, two years ago. But I only found a few small pieces of the pink fabrics that were used in it on the table (so far - piles exist). I may have a little trouble fully documenting this one but at least I can print off pictures and note who I made it for. I still have some catching up of adding some things to my gratitude book and putting back in its place a big stack of Christmas fabrics, but I am getting closer to being able to get out one of several quilting projects that are niggling at me to get going on.

Looking out back

In the meantime, we got some snow! This has been such a warm winter for us, only a couple of other snowfalls amounting to no more than nine or so inches total. This one was a good 4 or 5 inches followed the next night by an additional inch. While the east coast is getting slammed, our Pacific Northwest mountain snowpacks that recharge the aquifers and lakes that supplies our water desperately need this and more. 

From my front door

It probably won't stick around long on the ground down at my lower elevation; the weather report is for another warming trend with rain in the upcoming week, but I am enjoying its beauty while it lasts. 

Are You Getting Anything Done?

Besides Superbowl Sunday and the Olympics, I haven't gotten much done creatively. Every once in awhile I've stepped into the studio for a few minutes and arranged leftover magazine pieces from the Collage Breakthrough Bonus class. But even with my new-found set of rules and eye for value over image, this one has been a bit of a struggle. Primarily, I did not have a good range of values and textures to choose from. And today I had to give up on a piece that I really wanted to include but just wasn't working. Oh yeah, I've done that pretty much all my quilting life, that trying to make something work just because I liked it so much. Old habits die hard! Setting that one piece aside allowed me to move forward, and my main goal became to strike an overall balance of the dark pieces throughout the collage. That big one at the bottom was the first piece I laid down and it felt like it anchored the piece. But as I drew things to a close, I realized I needed to have more dark at the top and in a few other places. Not a masterpiece, but I'm relatively happy with this arrangement, and will also happily dispensed with the few pieces of magazine left, and clear off the table. I feel an itch to go back to a fabric project (as my resolution of "realign" alluded to), either piecing some split nine patch blocks for a wall quilt long on my mind or finally quilting a smaller Stack n Whack quilt top that would look good thrown over the big trunk in my living room.

I've made some progress on my knee-high socks. I'm a few inches away from turning the heel on this first one. When I get to that point, I'll go back to the second sock that I paused after completing the toe and start the ribbing to the heel. But with Olympic competition having my eyes glued to the tv while I watch the sliding and figure skating, it might be awhile before I can make the switch!

Finishing Up The Collage Class

I've just finished the bonus class included in the free Collage Breakthrough series taught by Catherine Rains. Essentially, it was a repeat of lesson 4 but using magazine pages rather than scrapbook papers and your own papers made with a variety of methods using paint. For me it was a lesson in not being drawn to images on the page, which is the way I usually decide to add a paper to the bin, but to the blocks of colors in it. A well chosen ad, perhaps even large enough to spread across facing pages, would already have colors that work well together, and include a variety of values and textures. Printed on heavier paper would be a bonus as magazine pages can be quite thin which would complicate the gluing process. I pulled several pages from articles in our local Sandpoint magazine (couldn't find ads that met the bill) and decided on this one, because it seems to have the most variety of values with both quiet and patterned places. 

Again, we were to randomly cut a variety of rectangular pieces or other shapes from the page to be sorted into values and then quiet or patterned. I realized I could quickly do this using this Fiskar cutter. True confession, there weren't enough pieces for me to feel it necessary to do the sorting, just spread them out on the table somewhat grouped. This particular page was a challenge in terms of delineating values as there really wasn't really light areas and some of the dark areas were very close to some pieces I deemed medium. But as I worked through placements, I could tell I was getting better at it, but had to constantly remind myself about the suggestion (rule) to group not only different values next to each other but place two patterned and a quiet together or two quiet with a pattern.

I liked leaving the spacing between pieces on this one with the different spacers, both narrow and blocky, across pieces. I also liked that some of the randomly cut pieces showed discernible parts of the mammoths. It didn't make any sense to me to just think of the pieces as swatches of color. This collage tells a bit of a story I think. One downside of working with magazine pages though is the glare from the overhead light, which is why this picture of the final product is taken on the slant. I had to keep looking from the side as I worked to see what the piece I was placing looked like.

So that's that, or so I thought. My intention was to whisk the leftover pieces of magazine into the trash and clear the table of all this collage stuff. I turned the page so I could glue in the bonus class directions and the picture of Kat's demo piece only to have that facing blank page and the few mammoth pieces calling out to be used to make one more. I think I want to dispense with the boundary of a square and do my collaging to fill the entire page. I laid a few pieces out and yes, it's just like quilting and you can never quit working with the scraps!

I do think these exercises in paper have really helped improve my eye for thinking value first, which is something I've always struggled with in my quilting. Too enticed by the pretty fabric. The work with the magazine pages in particular pointed out to me how quickly I fell into old habits of not even thinking about it. I think I also learned a lot about working with and arranging odd shapes. That lesson with the floating triads was my favorite and I'm planning on doing it some more using fabric scraps in this sketchbook. I do think I can use that knowledge now when designing art quilts. It's another place where I've struggled; I'm thinking of a particular piece I've never been able to resolve that I may be able to now. So, very happy to say this was not a waste of my time. 

Almost Done With Collage Class

I meant to finish this collage from the last lesson in this series over the weekend but I wasn't feeling it. As I sorted through the paper scraps I was to use, I felt myself losing interest, tired of working with these papers and not particularly liking that we were to leave narrow spacing between pieces and then "join" them with thin strips. Even not happy working in the bigger 5 inch space. I was relatively happy with the first layer arrangement so started gluing pieces down that I was sure of, then walked away.

By Tuesday I was ready to finish this up whether I liked it or not, but something had changed since the last time I'd worked on it. Better attitude with less negativity about the spacings. I finalized the last few pieces, then idly placed a narrow strip over one section that went edge to edge. Hmmm - I think I like that. I even found a place to use two slivers trimmed off another piece, saved only because Kat had said to save even the smallest pieces. Of course, I scoffed at that at the time as I watched the demo and her tiny pieces, but now these slivers were perfect to fill a gap. I chose more long strips and a few short ones to complete joinings of the base layer and I was done - happy to have found places for some of the envelop security papers and another dark green.

Since finishing, I remembered something Kat said during a Q & A. Unlike what so many tell us to do when we don't feel in the right frame of mind and everything seems an effort - just keep going anyway - she admitted to times when nothing seemed to work and she just had to walk away knowing that whatever she ended up with when in that frame of mind would not be good work, no matter how hard she worked at it. My experience appears to confirm that. Good vibes equal good work equals happy artist! 

I've started on the bonus class so will have one last collage to share with you soon. 

Slow But Steady Progress

I've worked on the next session of the Collage Breakthrough course (Lesson 3) over more than one day. We're still using 3 pieces of paper representing all three values and either two patterned and one quiet or two quiet and one patterned paper. This time though, we were encouraged to overlap the various shapes and not fill the 4" square totally, leaving blank areas to add "finishing touches". Still having a little trouble working in my green scraps on all so settled on the ones on the right side working together differently from the ones on the left.

So what are "finishing touches"? These are circles or Asemic writing done with gold, black, or white paint onto tissue paper so that their placement can be auditioned before gluing down. She shows how the excess tissue paper can be scraped away if you don't like the look of the shadowing effect. Well, I watched the video of the technique but had no desire to do pages of the three different colors and decided I'd deal with it later. In the meantime, I viewed how others in the class were doing this and could see how effective adding a gold accent that filled part of the blank areas and spilled over onto the collage was. Still didn't want to mess with making these. Then a lightbulb went on; I remembered a translucent plastic shopping bag with gold swirls and stars that I'd used on an art journal spread. Oh yeah! A quick answer to my problem. I quickly cut out a swirl to audition how it would work and it would work great.

I held off on finishing up this step as time was running out for watching the last of the videos before they disappear after tomorrow. Each lesson is a 30 minute recorded class followed the next day with a live one hour Q & A and demo session which is also recorded to watch later. You can guess which I do. So this week has been devoted to the two lesson 4 videos and the two bonus lesson videos plus one last video that was a cross between two lengthy "gallery" shows of student work and promoting her next step collage course which comes with a hefty price. (I'm good for now.) I had time after that last video to finish cutting and applying the finishing touches to my lesson 3 page and I'm pretty pleased with the result. I was pretty sure glue stick, which we've been using throughout this series, was not going to work on the plastic bag; a quick check proved me right. I'm pretty sure I used gel medium on that journal spread but didn't want to deal with the mess and cleanup that would generate. So I pulled out my trusty YES paste which worked nicely.

I've made a start on the blue knee high socks, finally mastering the tricky Eastern cast-on which makes a seamless join between the sole and the top of the sock. Normally when you knit in the round, it's like working back and forth on straight needles, except you go round and round without turning your work and have a hole in the middle. This cast-on eliminates the hole which would have to be closed up later. Since I discovered I had two sets of the required size of needles, I decided to work on both socks at the same time to more easily end up with soles and tops the same length.

Increasing stitches from 8 to 56 for the toe - ready to start ribbing

I'm working on being a little more balanced with how I spend my days. I'm so guilty of being all or nothing when it comes to things I want to do, which means I'll lose track of time when I get engrossed in something which then leaves no time in the day for anything else. And if I don't perceive that I have a big chunk of time to do something, I end up not doing anything at all. It would be easy to get to the end of the day, look over at my knitting and sigh, thinking there's no time left or I'm too tired. But I'm working on snatching small moments in between the big ones. The knitting on the socks is getting worked in this way: a few rows after breakfast before heading upstairs, a few more after lunch while watching one of my news shows. More in the evening if the shows I'm watching don't require my rapt attention while dealing with these increases. While some days I may be spending an hour or more on the collage class early in the afternoon, I also have found myself unexpectedly drawn into the studio for a few minutes to pull a few paper rectangles for one square on the page before continuing on to where I was originally off to. I'm also finding myself grabbing a small project like updating the blank book I'm using to record my yarns and care instructions in order to add one or two things while watching the tv.  I can get a lot done over the course of the day if I just become aware of these odd small moments and what I might fill them with. Very gratifying.

A part of me wants to knit all day sometimes - that all or nothing tendency I have. But I have other things to tend to as well, that need to balance my time throughout the day. As I think about my resolution word of realign, that need to find balance may be key. All or nothing just won't do.